Old Mansions Never Die

George Davies’ younger days would be the envy of any boy. During the Great Depression in Oakdale, he and his brothers had the run of Pepperidge Hall, a giant 19th-century mansion in walking distance of a swimming hole and the Great South Bay. Plus they had a pet duck.

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George with his father Jack Davies in the courtyard of Pepperidge Hall. Photo courtesy of the Dowling College Archives & Special Collections.

On this episode you’ll hear excerpts of a talk George gave on Sept. 15, 2015 sponsored by the Dowling College Library and the Oakdale Historical Society. He describes life in the 1930s, adventures in the mansion, and nearby neighbors like Arthur K. Bourne and Louise Ockers. We’ll also find out if Dutch Schultz was hiding nearby.

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Many thanks to George for sharing these invaluable memories. Most of us think of the glory days of these mansions as the Gilded Age but many of them lived on through various incarnations. George gives us a glimpse into one of those periods when the glory had passed but there was still fun to be had and living to do.

 

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Behind the Camera with Thom Hoffman

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Shinnecock (2013). Photo courtesy of Thom Hoffman

When something piques Thom Hoffman’s interest, he starts asking questions. Then he tries to work out the answers through film. The result has been an eclectic mix of documentaries (three to date) that share some common traits: his desire to educate and his love of Long Island history.

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Brother, Can You Spare a Dollar? (2012).Photo courtesy of Thom Hoffman

On today’s interview you’ll hear how Thom got his start working with Ray Adell on the “About Long Island” radio series and then expanded into documentaries. His first film featured the story of Brooklyn doo-wop stalwart Lenny Cocco and the Chimes. Next came his comparison of the Great Depression and the Great Recession. His latest, Shinnecock, explores the long history of the Shinnecock Nation in Southampton.

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Still in the Mood for Love (2010). Photo courtesy of Thom Hoffman

We also ask Thom about the challenges of producing and distributing documentaries on Long Island. How do you get them to a wider audience? How do you get the quality of production needed? His answers echo many of the things we’ve heard in our discussions with others involved in documentary filmmaking on Long Island.

On that note, if you’re interested in screening any of his movies or helping find a home for the “About Long Island” archive, you can contact Thom at hof565 [at] optonline.net

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